Hanu Raghavapudi’s antique-worldwide romance saga brims with earnestness and is helped thru fascinating performances from Dulquer Salmaan and Mrunal Thakur, It is not wrong to love your country, but you don’t need to harbour such hatred for a neighbouring country, a clever man tells a extra more youthful female withinside the film. In a few unique scene, while she is given a few references, with all the names concerning at the least one religion, she asks in exasperation if there isn’t every body from her community.
Director Hanu Raghavapudi’s Sita Ramam is a lot extra than most effective a love story. The story, screenplay and dialogues thru Hanu, Raj Kumar Kandamudi and Jay Krishna adventure on the idea that humanity subjects extra than war, barriers and religion. The idea is ever relevant mainly in times while discussions of ‘them’ and ‘us’ threaten to take over the discourse all spherical us.
Sita Ramam unravels the mystery surrounding its come to be privy to characters
Sita Mahalakshmi (Mrunal Thakur’s debut in Telugu cinema) and Lt Ram (Dulquer Salmaan) through timelines — 1964 and 1984. Afreen (Rashmika Mandanna), a Pakistan-beginning vicinity scholar arrives in India from London, while she is tasked with tracing Sita accessible over a 20-year-letter written to her thru Ram. She takes the help of her college senior Balaji (Tharun Bhascker), who is now in Hyderabad.
There is the unmistakable Mahanatihangover withinside the ones characters looking for to piece together a story from the past, like Samantha and Vijay Deverakonda. Beyond this huge similarity, fortuitously Sita Ramam is a completely new canvas. The discovery in Mahanati begins offevolved offevolved offevolved from a place of lack of information and the reporter’s need to find out a properly story on the identical time as here, the journey proves to be transformative and makes someone empathetic and shed preconceived notions of looking at human beings through the lens of religion and nationality.
The 1960s are provided like a dream. Posted on the borders of Kashmir on the snowy terrains is Lt Ram.
His fellow soldiers are his worldwide; there can be a luxurious friend (performed thru Shatru), a jealous officer (Sumanth as Brigadier Vishnu Sharma) and a commanding officer Major Selvan (Gautham Menon). An All India Radio journalist (Rohini Molleti) terms Ram a lone ranger and requests listeners to jot right all the way proper all of the manner right all the way down to him. Letters pour in, Including one from Sita who chides Ram for forgetting that he has a partner decrease another time home and that he isn’t an orphan.
We pay hobby Sita (Chinmayi excelling at her dubbing hobby) an lousy lot in advance than we see her. Vishal Chandrashekhar’s song taps into the retro mood for every the Indian classical flourishes withinside the songs in addition to the western-added on playful score in a few scenes.
Cinematographers P S Vinod and Shreyaas Krishna present the hostile, icy terrain in all its glory and eeriness.
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The breathtaking landscapes apart, they navigate the cold interiors artistically. For instance, test how the slight streams in through the patterned walls while Major Selvan is addressing soldiers in advance than a mission.
The try to make the romance appear poetic is obvious from the time Ram embarks on a journey to meet Sita; the technical institution and the actors pull all stops to offer a fascinating, antique worldwide romance that could sweep someone off their feet. At first glance, Sita might also additionally moreover stumble upon like someone from a costume drama of the past, have come to be out in her exceptional the least bit times, with winged eyeliner to boot. As the story progresses and we understand her for who she is, the regal way seems all the extra appropriate.
Costumes thru Sheetal Sharma, production format thru Sunil Babu, paintings route thru Vaishnavi Reddy and Faisal Khan, contribute to defining every the 1960s and the 80s.
There’s Ram, Sita and a Hanuman (Vennela Kishore as Durjoy, a theatre actor). But the film pulls a surprise at the intermission detail that adjustments the entirety thereafter.
Certain beats of the story and some of the twists can be foreseen. Occasionally the narrative wavers or tries too difficult to make the story appear poetic. The ‘kurukshetra’-like situation (sic) in which Ram saves Sita, for instance. But the ones are occasional niggles. The romance remains absorbing and might preserve you invested.
The writing does now now not use its female characters as props. In her first Telugu film, Mrunal gets to play someone that is powerful and however vulnerable. She does it with a whole lot of poise and conveys the emotional upheavals.
Sita Ramam is among Rashmika Mandanna’s better films.
She is not provided as an eye fixed constant candy and given the scope to play a self-centered man or woman with preconceived notions, she plays it sure-footedly and indicates that she is hobby to cope with properly-written parts.
Ram is someone that looks tailormade for Dulquer Salmaan and he channels all his appeal to portray it with grace and innocence. Tharun Bhascker is simple withinside the supportive issue that speaks a outstanding Hyderabadi Telugu.
Several others make their presence felt in quick parts — Sachin Khedekar, Sunil, Priyadarshi, Bhumika, Jisshu Sengupta, Prakash Raj, Praneeta Pattnaik, Rahul Ravindran… the list is long. Sumanth is convincing as an officer showing his advocate streak.
Not the entirety about Sita Ramam works to the amount of making it a conventional love story the makers desired it to be. Yet, the earnestness with which they may be trying to narrate a transferring story of romance holds it all together. The key characters may be called Ram, Sita and Afreen. Change their names and religion but the essence of what the story conveys will irrespective of the reality that preserve true. Therein lies the beauty of the story.
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